Lost on Stage: A Filmmaker’s Frustrating Off-Broadway Journey

A Play That Falls Short of Its Ambitions

New York is home to a new play titled “The Disappear,” written and directed by Erica Schmidt, currently being showcased at the Minetta Lane Theatre. While the title may be grammatically incorrect, it’s not the only aspect of the production that feels off-kilter.

At the heart of the play is Ben Braxton, a frustrated film director portrayed by Hamish Linklater. His character is often unlikable, especially in the opening scene where he snaps at his wife, Mira, played by Miriam Silverman. The tension between them begins with a simple question about whether an actress will stay for dinner, but Ben turns it into a long rant about her selfishness. This dynamic sets the tone for much of the play, leaving audiences with little sympathy for Ben.

As Mira leaves, Ben warmly greets Julie Wells, a young actress played by Madeline Brewer. Her unusual outfit—a vintage-style top and straw bonnet—adds to the quirky atmosphere. Julie’s admiration for Ben’s work leads to a sudden embrace, and a running joke involves her occasional British accent, which doesn’t quite fit.

Chekhovian Influences and Unfulfilled Potential

Ms. Schmidt seems to have drawn inspiration from Anton Chekhov, with clear parallels to “The Seagull” and “Uncle Vanya.” The setting, a country house in upstate New York, mirrors Chekhov’s style. However, unlike Chekhov’s emotionally authentic works, “The Disappear” often feels artificial. The dialogue is sophisticated and occasionally humorous, but it can also be overly talky and tedious.

Ben’s obsession with Julie leads him to cast her despite the objections of his producer, Michael, played by Dylan Baker. This decision creates a plot twist when a famous actor, Raf Night, is brought in as the male lead due to his admiration for Mira’s books. This development complicates Ben’s original vision for the film, raising questions about the feasibility of merging Mira’s literary work with Ben’s concept.

A Cast That Can’t Save the Play

Despite the play’s shortcomings, the cast delivers strong performances. Mr. Linklater brings intensity to his role, even if Ben’s emotional dithering isn’t entirely convincing. Ms. Brewer portrays Julie with a seductive appeal, while Mr. Baker adds humor to his role. Ms. Silverman shines as Mira, providing a necessary emotional anchor through her witty and touching portrayal.

Anna Mirodin makes a notable debut as Dolly, Ben and Mira’s 16-year-old daughter. Though underwritten, her character echoes Sonya from “Uncle Vanya,” adding a layer of emotional depth. However, by the end, many audience members may find themselves hoping for the play to conclude quickly.

Final Thoughts on "The Disappear"

“The Disappear” runs at the Minetta Lane Theatre, located at 18 Minetta Lane in New York. Tickets can be purchased through AudiblexMinetta.com, with the show closing on February 22. While the play attempts to blend comedy and drama with Chekhovian themes, it ultimately falls short of its ambitions. The performances are commendable, but the script’s weaknesses prevent it from fully engaging its audience.