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Although Netflix is widely associated with home entertainment for many people, the company has not completely separated itself from controversy or criticism.The most poorly performed scenes in different Netflix series, for example, have attracted a lot of criticism.Every foolish detail we can’t overlook in the “Stranger Things” finalealso introduced some negative connotations to the platform’s reputation. More seriously, Netflix is well-known for its long-standing and annoying opposition to traditional movie theater releases for its original films. This issue is closely linked to a significant flaw on Netflix: the service’s reluctance to release its exclusive movies on physical formats.
Netflix has regularly avoided releasing most of its original movies and TV series on DVD or Blu-Ray. Although a small number of Netflix original films (such as “The Irishman,””Roma,” and “Atlantics,” along with a few others) have received physical media releases through the Criterion Collection, the majority of its film collection remains available only through the streaming service. This creates a significant challenge in making all films as accessible as possible to a wide audience, particularly as major retailers start to eliminate physical media.
Nevertheless, there are 10 Netflix original films that have no clear home video availability. Whether due to the historical importance of these specific movies or other elements such as the recognition of the directors who created them, it is crucial for the film industry that these productions get appropriate home video releases. They definitely merit more than just being viewed as part of a “Netflix and chill” scenario.
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The Wind on the Other Side
In October 1985, the renowned artist Orson Welles died. This loss left a series of his directorial works incomplete. Due to the immense interest in anything associated with his name, there have been multiple attempts over the years to complete these unfinished projects. One such effort was “The Other Side of the Wind,” which started filming in the 1970s. After Welles’ death, it remained in a terrible state of uncertainty caused by various legal complications, as well as the inherent challenges of completing such an ambitious project. For a long time, it seemed like it would only remain a theoretical concept for Welles’ fans rather than something they could actually watch.
Everything changed in November 2018, when “The Other Side of the Wind” was finally made available to the public through Netflix. Thanks to the dedication of individuals such as producer Frank Marshall and editor Bob Murawski, the final cut of the film turned out to be a remarkable and groundbreaking experience that matched the visionary behind “F For Fake.” This significant and seemingly impossible artistic endeavor should not be limited to Netflix members. A proper home video release, including additional content that showcases how this film came to life, should be an obvious choice. Providing access to “The Other Side of the Wind” for all movie enthusiasts would mark a satisfying conclusion to its challenging journey.
The Legend of Buster Scruggs
No one realized it at the time, but “The Ballad of Buster Scruggs” from 2018 marked the end of an era — not only because it was the first film by directors Joel and Ethan Coen to be released directly on streaming platforms. It was also the final time these two artists (as of now) would collaborate. Since this western anthology movie, the two have pursued their own individual creative paths. Joel Coen has directed “The Tragedy of Macbeth,” while Ethan Coen has taken on quirky, lesbian-themed comedies such as “Drive-Away Dolls.” Although it didn’t have a large, conventional theatrical release, “Buster Scruggs” still represented a major shift in the duo’s career.
The movie also marked a progression in their enduring interest in the western genre, which had been evident in earlier films such as “No Country for Old Men” and “True Grit.” Here, the Coens had the opportunity to delve into various styles of western storytelling, thanks to the film’s anthology format. In many respects, this project was a bold cinematic achievement that is definitely worth watching for fans of the Coen Brothers’ previous films. Nevertheless, despite its artistic successes and three Oscar nominations, Netflix has not yet released it on home video.
Since all other films directed by Joel and Ethan Coen are available on physical formats, it’s logical to offer “The Ballad of Buster Scruggs” a vibrant Blu-Ray edition. Provide this ending to a cinematic period the recognition it deserves.
Shirkers
The 2018 documentary “Shirkers” is set in the 90s. It centers on director Sandi Tan’s efforts to bring a chaotic independent film to life in Singapore over twenty years ago. With help from a film instructor named Georges Cardona, Tan aimed to create an impactful movie that showcased her love for cinema and challenged the norms of Singaporean filmmaking. Yet, as Tan remembers, Cardona ultimately took the footage and vanished, leaving the film unfinished and a significant part of Tan’s life unaddressed. This entire story offers an enthralling tale packed with more twists than typical narrative films.
It’s also an intensely and captivatingly vulnerable process. Tan allows audiences to see behind-the-scenes material from not only that 90s filming but also childhood sketches that truly help viewers grasp this woman’s most profound complexities. A comparable thoughtful approach is also applied to the enigmatic Cardona, whose significant influence on others is examined throughout the documentary. This entire production is a mesmerizing and enlightening endeavor, beautifully connecting the past and present in Tan’s life. Unfortunately, since its release, it seems the project has faded from the broader cultural spotlight.
A well-executed home video release might address this problem, simply by bringing renewed attention to the fact that this remarkable (and award-winning) documentary is available. After all, if “Shirkers” shows anything, it’s that films should not be kept from the public.
Da 5 Bloods
Although Spike Lee is considered one of the most talented and respected directors over the past four decades, his films have frequently faced challenges when it comes to proper home video releases. For example, “Get on the Bus” from 1995 has yet to be released on Blu-Ray. Similarly, “25th Hour” and “He Got Game” are only available on Blu-Ray as part of a rare two-film set that combines both movies into a single collection. As of now, there are also no plans for his upcoming 2025 Apple TV+/A24 film “Highest 2 Lowest” to be released on physical media. Alongside these strange absences in home video, there’s “Da 5 Bloods,” Lee’s 2020 Netflix film starring Delroy Lindo, Clarke Peters, Norm Lewis, and Isiah Whitlock Jr. as Vietnam War veterans who return to the country to search for treasure — and the remains of “Stormin” Norman Earl Holloway (Chadwick Boseman).
No matter the situation, a film as outstanding as “Da 5 Bloods” deserves an elaborate home video edition, featuring additional content that offers a clear understanding of Lee’s artistic approach to this work. Nevertheless, events following the release have made this feature even more valuable. Boseman died two months after “Da 5 Bloods” was released on Netflix, and Whitlock Jr. passed away at the end of 2025.
“Da 5 Bloods” strongly highlights the significant artistic abilities of the actors. Releasing this film on physical media would allow even more individuals to appreciate their achievements. Additionally, the more works by Spike Lee that receive home video releases, the better it is for the film industry.
Glass Onion
When each “Knives Out” film is ordered from least to most favorable, “Glass Onion” could likely end up at the bottom of that list. That’s not meant to diminish this sequel in any way. Although the other two Benoit Blanc films are slightly better, this 2022 film is still a hilarious experience filled with exciting twists and a remarkable dual performance by Janelle Monae. Within the scope of this trilogy, “Glass Onion” stands out as a notable achievement, as its narrative structure, bright visuals, and humor differ significantly from “Knives Out” and “Wake Up Dead Man.” Writer/director Rian Johnson didn’t settle for easy choices here, and the outcome is an exceptional movie.
Although “Glass Onion” reflects the high level of creativity seen in a typical Rian Johnson film, it has not been released on physical media in the same way as his movies prior to 2022. This is unfortunate, as Johnson’s previous films have frequently included remarkable special features. Take “Star Wars: The Last Jedi,” for example, which included the detailed and insightful documentary “The Director & The Jedi.” This extra, more substantial than most Blu-Ray supplements, was enough reason to purchase the excellent “The Last Jedi” on home video.
The mind is amazed by the potential fun and creative content that “Glass Onion” might offer on a physical media release. You don’t need to be a detective like Benoit Blanc to understand that “Glass Onion” truly deserves a Blu-Ray release.
Dolemite Is My Name
During the 1990s, screenwriters Scott Alexander and Larry Karaszewski crafted a charming story about Ed Wood, a B-movie director who captured the hearts of viewers with his shaky film projects. In October 2019, the same team wrote a new script that highlighted the lovable aspects of low-budget, flawed filmmaking in “Dolemite Is My Name.” This film featured Eddie Murphy as Rudy Ray Moore, whose quirky and distinctive approach to cinema eventually led to the creation of the Dolemite character. Although his goals were unusual, Moore possessed an abundance of charm and enthusiasm. As a result, he and his team, including Lady Reed (Da’Vine Joy Randolph), embarked on a journey to create films unlike anything the world had seen before.
“Mr. 3000” is a vibrant celebration of the artistic process. Alexander, Karaszewski, and director Craig Brewer bring such an infectious enthusiasm to this portrayal of Moore’s life that it’s hard not to become engrossed in the experience. Eddie Murphy’s compelling lead performance, along with a series of standout supporting roles (especially Wesley Snipes as director D’Urville Martin), make “Dolemite Is My Name” a top-tier entertainment.
The quality of this title alone should ensure it a home video release. Nevertheless, it deserves such treatment considering the number of lesser Eddie Murphy films that are already available on DVD and Blu-Ray. If “Meet Dave” and “A Thousand Words” have made it to home media, it’s undeniable that “Dolemite Is My Name” should be added to store shelves as well.
Cam
When you’re correct, you’re correct. Ourlist of every Blumhouse movie ranked from worst to bestrightly recognized one of the label’s finest films, even though it went largely unnoticed by most. “Cam,” released in 2018, was directed by Daniel Goldhaber and written by Isa Mazzei. The film centers on Alice Ackerman, portrayed by Madeline Brewer, a camgirl. It specifically details her realization that her identity has been stolen online by someone using the name “Lola.” What ensues is a tense thriller that relies heavily on real-world prejudices against sex workers, along with creative visual storytelling provided by Goldhaber and cinematographer Katelin Arizmendi.
The proceedings also benefit greatly from Brewer’s unforgettable lead performance, which captivates audiences right from the opening scene and maintains its grip throughout. There’s a lot to admire about “Cam,” including achieving such a refined visual style on a $1 million budget. Unfortunately, “Cam” never had the opportunity to build a strong fanbase because it has been on Netflix for years. To make matters worse, Netflix quietly took the film off the platform in November 2025. As of this writing, “Cam” is considered lost media, as it is no longer available anywhere.
An effective method to address that terrible reality would be to merely release “Cam” on home video. Given that dehumanization continues to affect the sex worker community today, powerful artwork that portrays individuals in this field like “Cam” should be widely available, rather than removed entirely.
Crip Camp: A Disability Uprising
Among the top films from 2020was a documentary that centered around the early 1970s. This is a key focus for “Crip Camp: A Disability Revolution,” as it was during this time that many of the main characters first met at Camp Jened, a place specifically for disabled individuals. Director James LeBrecht shares with viewers his own positive experiences of attending this location and forming friendships with other disabled people. The outside world often treats disabled individuals as if they are children and less than human, but at Camp Jened, everyone saw each other as simply other people. They could be disheveled, complex, sensitive, silly, or any other emotion possible.
LeBrecht and Nicole Newnham’s filmmaking is already deeply moving as a cinematic tribute to the significance of the Camp Jened connection. However, “Crip Camp” gradually broadens its focus to also showcase LeBrecht and other Camp Jened alumni becoming involved in disability rights activism. This includes compelling stories and archival footage detailing a prolonged sit-in protest that eventually gained support from local lesbians and a Black Panther chapter. The way “Crip Camp” reveals its broader perspective is one of its many remarkable achievements.
Deeply human with a passionate, defiant spirit, this film is nothing less than remarkable. Simply for its artistic value, “Crip Camp: A Disability Revolution” is vital to be available on physical formats. Such exceptional cinema deserves to be accessible beyond a single streaming service.
Rebel Ridge
In earlier days, people frequently stumbled upon cherished action movies by chance. You might have been browsing the aisles of your neighborhood video rental shop and come across a faded VHS copy of “Commando,” or perhaps one of John Woo’s renowned films. Simply looking at the cover artwork and the promotional text on the back was enough to persuade you to insert it into your VCR, drawn in by the promise of numerous explosions and plenty of physical confrontations. From that moment on, a film you had never known about became permanently etched in your memory. What a delight it was to discover a popular movie hidden among the less noticeable options. This kind of experience is more challenging to recreate on services like Netflix, which rely on algorithms aimed at providing more of what you already enjoy instead of highlighting hidden gems that were previously unknown to you.
If physical copies of Jeremy Saulnier’s outstanding 2024 film “Rebel Ridge” were spread around the globe, then this Aaron Pierre-led project could continue that tradition. This thriller honors many classic 80s and 90s action films with its tightly constructed, suspense-filled scenes and Pierre’s strong performance. “Rebel Ridge” provides the basic entertainment found in similar movies while maintaining the refined editing and cinematography seen in Saulnier’s previous works like “Green Room.”
In every possible way, “Rebel Ridge” is an outstanding success. This is not a film that should only be available on Netflix’s platform. It deserves a DVD or Blu-Ray release so that future generations of movie enthusiasts can stumble upon it by chance, creating their own memorable experiences with cinema.
Nimona
The movie version of ND Stevenson’s graphic novel “Nimona” was a remarkable tale in its own right. The film was initially planned at Blue Sky Studios and then put on hold by Disney after the company closed that animation studio. For a long time, it seemed this project would become part of a group ofMovies from DreamWorks Animation that will remain unseenAmong the ranks of high-profile, unreleased animated projects. However, Annapurna Animation rescued this endeavor, and Netflix provided it with a platform. Launched in June 2023, “Nimona” became accessible to a wider audience and ultimately earned an Oscar nomination despite its previous challenges.
Although its audience on the platform was good, “Nimona” didn’t become as popular as other family-oriented Netflix movies (such as “KPop Demon Hunters”). A release on physical media would greatly help expand its fanbase. After all, family films have been building a stronger reputation through home video for many years. Consider how “Finding Nemo” became the top-selling DVD of all time in 2003. “Nimona” has the potential to succeed in this area. Moreover, it’s crucial to share a story about self-acceptance and challenging society’s idea of what it means to be “a monster” with as wide an audience as possible, through both digital and physical formats.
The fact that “Nimona” is available on Netflix is remarkable considering all the challenges this project faced. Giving it a suitable Blu-Ray release would be a wonderful final touch for this film’s intriguing journey.
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